A look at why major US studios and streamers are retreating from the Cannes Film Festival and what it means for the film industry pipeline.
Photographer Simon Edelstein tracks derelict movie palaces to document a dying era of bold design and communal viewing.
Discover how Pierre Salvadori’s 'La Vénus électrique' signals a shift from passive consumption to emotional resilience in the digital age.
Russian filmmaker Andrei Zvyagintsev brings the Ukraine-Russia conflict into the living room, exploring how geopolitical violence deconstructs the private self.
Cannes' use of Thelma & Louise highlights a widening gap between nostalgic aesthetics and the actual progress of female directors in modern cinema.
Pedro Almodóvar returns to Cannes with 'Autofiction,' proving that while the establishment keeps the hardware, he keeps the soul of Spanish cinema.
Parents are clinging to 'safe' analog careers like aviation as AI threatens white-collar stability, but their logic is dangerously flawed.
Occitanie is rolling out the red carpet for Indian filmmakers, but building a sustainable media hub requires more than just sunshine and tax credits.
Photographer Grégoire Eloy isn't just taking photos; he's building a visual ledger of depreciating natural assets that markets can no longer ignore.
In the stone-walled villages of Brittany, a historic dispute over school funding is toppling local governments and exposing deep cultural rifts.
Romain Gavras and Surkin merge cinema and electronic pulse to examine the anatomy of modern violence through their new dystopian audiovisual work.
How Arthur Jafa moved from late-career obscurity to a global blue-chip asset, redefining the economics of the Black aesthetic.
